摘要
小说与影视剧在“叙事”的层面上存在着天然的美学上的可通约性 ,由此构成了小说的影视改编的艺术发生学根据。但是 ,作为两种特性不同的艺术 ,小说与影视剧更存在着美学上的不可通约性 ,由此在小说的影视改编中对“改编什么”和“如何改编”作出了限定 ,建立了改编的美学原则。本文从文艺美学和社会学结合的角度 ,针对近年来小说的影视改编的现实 ,对于两者之间相互联系又相互区别 。
There is a natural aesthetic interflow between th e novels and movies and TV plays in the narration aspect. So it constitutes the basis of the art starting theory about the adaptation from the novels to movies & TV plays. As the differences between these two kinds of art in characters, the re exists the aesthetic non-interflow between them. As a result, we set limit to the adaptation from novels to movies & TV plays about 'What to be adapted' an d 'How to adapt' and at the same time we build up the aesthetic principles abo ut the adaptation.
出处
《安徽大学学报（哲学社会科学版）》
CSSCI
2003年第2期67-74,共8页
Journal of Anhui University(Philosophy and Social Sciences Edition)
关键词
艺术发生
美学的通约性和不可通约性
文学立场
art starting theory
aesthetic interflow and non -interflow
stand of literature
