摘要
美华女作家汤亭亭的《女勇士》和严歌苓的《扶桑》,都以丰富的历史想象来重塑过去,融合了传记与小说的双重特点;她们的作品都塑造了在种族和性别歧视中勇敢生存的华人女性形象:母亲和扶桑;作者有意识地将此女性形象作为现实生活的榜样和参照,反思当下华人女性的生存状况。华人女作家对过去的书写不仅重新建构了自身形象,而且重塑了并揭示了被美国主流话语掩盖和压制的华人历史。
This essay concerns the way ethnic women voice by discussing the texts of Maxine Hong Kingston s the Woman Warrior and Geling Yan's Fusang. The works both reconstructs the history of Chinese immigrants in America. They blur the boundary of auto \ biography and fiction. They also shape a brave female survivor who get through the oppression of gender and reel. Mother and Fusang then become the examples for authors to meditate the lives of American Chinese women. I conclude that Chinese women writers reconstructe both the Chinese identity and the Chinese immigrant history, discovering the silent and hidden fact in the American mainstream history.
出处
《暨南学报（哲学社会科学版）》
CSSCI
2003年第3期69-74,共6页
Jinan Journal(Philosophy and Social Sciences)
基金
2002年广东省高校人文社科青年项目(02SJC750001)
关键词
发声
女性
历史想象
《女勇士》
《扶桑》
voice
woman
historical imagination
the Woman Warrior
Fusang
