摘要
海德格尔美学在存在维度上标志着西方现代美学的完成 ,而在语言维度上又标志着西方后现代美学的开始。海氏美学以存在为本体 ,来消解认识论美学分裂的人性 ,这启示我们未来美学必须以完整的人的存在 ,即以人的生活存在为本体。
Heidegger's aesthetics symbolizes the completion of modern aesthetics from the existential viewpoint and the beginning of the post-modern aesthetics in language. He regards the existence as noumenon to clear up human nature divided by epistemological aesthetics, which tells us that future aesthetics will take human's life existence as noumenon. The future aesthetics must be a trinity of existence, practice and language.
出处
《安徽大学学报（哲学社会科学版）》
CSSCI
2003年第3期22-26,共5页
Journal of Anhui University(Philosophy and Social Sciences Edition)
