摘要
《水浒传》通过造反与招安两种观念的对立和冲突,展现了"江湖"文化与"庙堂"文化的融合、渗透与排斥。从这种文化视角阐释梁山水泊的内部冲突,对深入理解《水浒传》将有积极的意义。
By studying the obvious conflicts and clashes between the value of rebellion and the value of amnesty and enlistment of rebels, the writher shows the fusion, infiltration and exclusion of the imperial court's culture and earthly brotherhood culture ,as well as he manifest the positive significance to have a deep undertanding of the novel of all Men Are Brother.
出处
《钦州师范高等专科学校学报》
2003年第1期44-46,共3页
Journal of Qinzhou Teachers College
