摘要
在对王国维"古雅说"的研究中,传统的看法是以"古雅"为"风格""技巧""功力"或"艺术形式美"作为"古雅"的主要内涵,这些观念并不能反映"古雅"的本质,"古雅"是指以艺术符号的形式美为审美对象,以人在符合创造活动中本质力量的对象化为审美内涵的一种审美范畴。"古雅"说揭示了艺术活动的符号性质,具有重要的美学意义。阐释王国维"古雅"说的独特观念,使它在中国古典美学和西方美学的对话和交流中展示自己的意义,这是当代美学研究中的一个重要课题。
The traditional views on GuYa,such as craftsmanship,technique or artistic formal beauty,are not the essential reflection of GuYa.GuYa means aesthetic category,in which artistic fromal beauty of symbols serves as aesthetic object,while the object of human being's natural power serves as aesthetic content.GuYa theory,having discovered the symbolic essence of art,possesses great importance in aesthetics.In the dialogues between classical Chinese aesthetics and western aesthetics,this interpretation of GuYa reveals its unique aesthetic significance,which is one of the most important studies of contemporary aesthetics.
出处
《常熟高专学报》
2002年第5期24-30,共7页
Journal of Changshu College
