摘要
后现代语境下的“艺术终结”问题,在黑格尔那里可以找到明显的哲学根源;艺术的终结随之导致了作为艺术哲学的美学的终结。在后现代时期,随着艺术日益被纳入保持中立的商业文化的范围,它已失去了批判的潜质和揭示真理的功能。进而言之,这种艺术的转向必然带来美学的转向,使作为艺术哲学存在的现代美学最终让位于作为文化哲学存在的后现代美学。
The origin of the idea that art is dead in its postmodernist context can be traced back to the philosophy of Hegel, and the death of art has resulted in the death of aesthetics as the philosophy of art. In the postmodernist period, art has lost its potential for criticism and its truth - disclosing function when it has been incorporated into commercialism. As a consequence, such a reorientation of art will lead to the reorientation of aesthetics, and modern aesthetics as the philosophy of art will give way to postmodernist aesthetics as the philosophy of culture.
出处
《郑州大学学报（哲学社会科学版）》
CSSCI
北大核心
2003年第2期40-46,共7页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
关键词
美学
艺术哲学
文化哲学
aesthetics
philosophy of arts philosophy of culture
