摘要
早期田汉对“新浪漫主义”表现出了一种特别的眷顾,但通常人们都把田汉早期的戏剧划分到浪漫主义的范畴之内。他早期剧作中“灵与肉冲突”所造成的主人公内心激烈的冲突与矛盾,以及象征化的艺术手法、相对主义的思想观念等等都显露出了一种强烈的现代主义倾向。用现代主义的眼光审视田汉早期的剧作既能深入到它的内质,又能为研究中国话剧早期发展提供参考。
Usually Tian Han was ranked to romatism.but he showed a special interesting in New-Romantism in his early time.Because new-romantism and romantism are same in which they all emphasize particularly on subjective, the New-Romantism is the pronoun of modernism in 20s. They are unlike in fact. The contradiction of spirit and flesh, the symbolic method and the relative attitude in Tian Han' s drama represent a strong modernistic trend.
出处
《南都学坛（南阳师范学院人文社会科学学报）》
2003年第2期69-71,共3页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
关键词
田汉
戏剧
现代主义
现实
TIAN Han
drama
modernism
reality
