摘要
西方美学理论作为当今世界美学的“权力话语”或“主流思想”存在着明显的偏颇,它缺乏更大的容纳性和全面性,因为它没有吸纳东方美学的思想精华,也无法准确而明晰地解说东方美学思想。东方美学有独特的思维方式和诗性的理论系统。西方美学只有吸纳了东方美学的思想和诗性的理论精华,才有可能成为真正的世界性的美学。这是21世纪全球化趋势中全世界美学所面临的新课题。
This paper argues that it is undue to take western aesthetics as ' authoritative discourse' or ' mainstream ideology' in present-day world aesthetics. The western aesthetic theory lacks compatibility and is far from being comprehensive, because it does not cover the highlights of oriental aesthetics, and nor can it clearly decipher oriental aesthetics. Oriental aesthetics has its unique thinking mode and poetic theoretical system. If these are excluded, it is impossible to have global aesthetics. This is a new subject confronting aesthetic study in this age of globalization.
出处
《南京大学学报（哲学．人文科学．社会科学）》
CSSCI
北大核心
2003年第1期106-116,共11页
Journal of Nanjing University(Philosophy,Humanities and Social Sciences)
关键词
东方美学
原始思维
神秘性
意会
主体性
生命美学
诗性理论
oriental aesthetics
primitive thinking
mystery
sense
subjectivity
life aesthetics
poetic theory
