摘要
As a culturally distinctive local symbol,"Cantonese-style life"has undergone a process of mediatized transformation in the wave of short videos,shifting from embodied,on-site experience to online spectatorship.Employing a qualitative research approach,this study takes short videos related to"Cantonesestyle life"on the Douyin platform and their accompanying comments as empirical materials.Through grounded theory analysis,four core dimensions are identified:multidimensional spatial writing,embodied sensory experience,negotiated cultural boundaries,and theatricalized emotional interaction.The findings indicate that short videos do not merely document"Cantonese-style life."Rather,through spatiotemporally folded simulacral landscapes,epistemic contestations over cultural boundaries,the visual performance of bodily habitus,and an affective theater characterized by subject–object reversals,they accomplish the digital reshaping of local memory and the dynamic construction of identity.
基金
the 2024 Guangzhou Philosophy and Social Science Planning Project:"The Writing and Construction Paths of'Cantonese-style Life'Memory in Short Videos"(2024GZQN57).
