摘要
王克笃是明代后期的北方散曲家,散曲数量颇丰。在南曲成为曲坛主流的晚明时期,王克笃坚持创作北曲,兼作南曲,同时频繁使用俗曲曲牌。他在继承北曲传统题材的同时,又对南曲的表现范围有所拓展。王克笃擅长引文入曲,其散曲序跋纪实性极强,散曲风格以豪放为主,兼有清雅之风;既承“蒜酪”之本色,又充分体现散曲雅化之趋势。研究王克笃散曲的艺术特征,可以管窥晚明北方失意文人散曲创作的基本特色,有利于认识晚明散曲创作的真实风貌。
Wang Kedu was a low-ranking sanqu poet from the north who faced obstacles in his official career during the late Ming Dynasty.He produced a substantial body of sanqu works.During the late Ming period,when southern-style sanqu dominated the literary scene,Wang persisted in writing northern-style sanqu while also composing southern-style pieces and frequently employing popular folk tunes.While inheriting the traditional themes of northern sanqu,he also expanded the expressive scope of southern sanqu.Wang excelled at integrating prose into sanqu,and the prefaces and postscripts to his works possess a strong documentary quality.His sanqu style is predominantly bold and unconstrained,yet also exhibits an elegant refinement.His works both preserve the earthy vitality characteristic of northern sanqu and reflect the broader trend toward the aesthetic refinement of the genre.Studying the artistic characteristics of Wang Kedu’s sanqu provides insight into the fundamental features of sanqu composition by frustrated northern literati of the late Ming Dynasty,contributing to a more comprehensive understanding of the true state of sanqu works during this period.
作者
廖忠英
郑海涛
LIAO Zhongying;ZHENG Haitao(School of Chinese Language and Literature,China West Normal University,Nanchong 637009,China)
出处
《苏州教育学院学报》
2026年第1期100-108,共9页
Journal of Suzhou College of Education
基金
四川省哲学社会科学后期规划项目(SC19H006)。
关键词
明代
散曲
王克笃
艺术特征
Ming dynasty
sanqu
Wang Kedu
artistic characteristics
