摘要
文章以北宋苏汉臣《长春百子图》为研究对象,探讨该画作中孩童服饰所反映的宋代孩童服饰文化特征,首先从春、夏、秋、冬4个季节视角出发,分析画作中孩童服饰的季节性表现;其次解读其中蕴含的阶层化符号,揭示服饰与社会身份之间的关联;最后对宋代孩童服饰的典型元素进行归纳与分析。通过图像分析与文化阐释相结合的研究方法,文章系统梳理了《长春百子图》所呈现的孩童服饰形制、纹样与搭配方式,进而总结出其在材质、款式与装饰方面的时代特点,为理解宋代孩童服饰文化及其社会内涵提供了重要的图像依据。
This paper focuses on the Painting of One Hundred Children in the Eternal Spring by Su Hanchen of the Northern Song Dynasty,and explores the characteristics of children’s attire culture in the Song Dynasty as reflected in the painting.It first analyzes the seasonal representations of children’s attire in the four scenes of spring,summer,autumn and winter.It then interprets the embedded symbols of social stratification,revealing the correlation between attire and social identity.Finally,typical elements of Song Dynasty children’s attire are summarized and examined.By integrating visual analysis with cultural interpretation,this paper systematically examines the forms,patterns,and combinations of children’s attire as depicted in the painting,summarizes period-specific features in materials,styles,and ornamentation.The study provides important visual evidence for understanding the culture and social connotations of children’s attire in the Song Dynasty.
作者
王海露
魏铭钧
王婧
Wang Hailu;Wei Mingjun;Wang Jing(Lutai Textile&Apparel College,Shandong University of Technology,Zibo 255000,China)
关键词
《长春百子图》
北宋
孩童服饰
服饰制式
Painting of One Hundred Children in the Eternal Spring
Northern Song Dynasty
children’s attire
attire construction and style
