摘要
美学发展至康德,逐渐成为一门哲学美学,通过先验的理论思辨,为审美和艺术奠定普遍性根基。然而,这种以先验批判为主导的美学范式,在面对当代多元复杂的社会现实与艺术实践时,也暴露出其阐释效力上的某些局限。巴迪欧通过批判并改造康德美学的理论形态和概念内涵,推动美学从对客观普遍感性认识的研究,转向对具体艺术事件中涌动生成的感性经验的思考,以事件美学的形式直面并辨识现实情境中感性的新质与变动。通过重构康德对美的艺术的理解,巴迪欧翻转了艺术与美学的关系,美学不再以先验认识原则规定艺术与感性,而是以艺术事件中涌现的晦暗不明的感性真理为前提,这种感性真理溢出既有的美学知识体系,成为美学思考的起点。在无限性事件层面,美学与政治交汇,不再作为道德理念的审美象征,而是让边缘、匿名和不可辨识的感性经验重新显现,成为开启政治事件的感性契机。这一转型为突破哲学美学的封闭范式提供了路径,拓展了美学回应现实生活的阐释效力,赋予美学介入社会实践的理论品格。
By the time of Kant,aesthetics had gradually evolved into a form of philosophical aesthetics,which,with its closed and self-consistent theoretical speculation,transcendentally prescribed the general characteristics of social life,leading to difficulties in aesthetic research when interpreting the plural and complex social realities.Badiou,by criticizing and transforming the theoretical form and conceptual connotations of Kantian aesthetics,pushed aesthetics from the study of objective and universal sensible cognition to reflections on the sensible experiences surging and emerging in specific artistic events,confronting and discerning the new qualities and changes of sensibility in real situations in the form of aesthetics of the event.Through reconfiguring Kant’s understanding of fine art,Badiou inverted the relationship between art and aesthetics:aesthetics no longer prescribes art and sensibility based on principles of transcendental cognition,but instead takes the obscure sensible truth emerging in artistic events as its premise,a truth which overflows the existing system of aesthetic knowledge and becomes the starting point of aesthetic thinking.At the level of infinite events,aesthetics intersects with politics:no longer serving as the aesthetic symbol of moral ideas,it allows peripheral,anonymous,and indiscernible sensible experiences to reappear,becoming the sensible occasion for initiating political events.This theoretical transformation not only provides a path for breaking through the closedness of traditional philosophical aesthetics but also expands the interpretive power of aesthetics in responding to real life,endowing aesthetics with the theoretical character of engaging in social practice.
作者
刘晨
Liu Chen(School of Liberal Arts,Guangxi University)
出处
《美学与艺术评论》
2025年第2期116-131,248,共17页
Journal of Aesthetics and Art Review
基金
国家社会科学基金一般项目“当代批判理论的美学问题研究”[项目编号:22BZW039]阶段性成果。
关键词
巴迪欧
康德
事件美学
哲学美学
艺术事件
Badiou
Kant
evental aesthetics
philosophical aesthetics
artistic event
