摘要
本文探讨从传统雕塑实践到20世纪及21世纪初形成的动态、互动与多感官艺术形态的历史性转变。研究将聚焦现代主义、构成主义、动态艺术与激浪派(Fluxus)等关键艺术运动,强调它们如何共同推动对感官感知方式的重新理解,并重塑公众与艺术作品之间的互动关系。研究将对Alexander Calder、Naum Gabo与Jean Tinguely等重要艺术家展开历史—批判性分析,探讨其形式与观念创新如何启发当代包容性博物馆学与策展实践。与此同时,本研究旨在建立一个理论与实践相结合的框架,用以阐明多感官体验如何提升博物馆的可达性与可参与性,并通过促进所有公众的主动参与与包容性体验,产生积极的社会与文化影响。
This article examines the historical transformation from traditional sculptural practice to the dynamic,interactive,and multisensory art forms that emerged in the twentieth century and the early twenty-first century.Focusing on key movements such as Modernism,Constructivism,kinetic art,and Fluxus,it highlights how these developments collectively reshaped understandings of sensory perception and reconfigured the relationship between publics and artworks.Through a historical-critical analysis of major artists including Alexander Calder,Naum Gabo,and Jean Tinguely,the study investigates how their formal and conceptual innovations have informed contemporary inclusive museology and curatorial practice.At the same time,the research aims to establish an integrated theoretical and practical framework to clarify how multisensory experiences can enhance museum accessibility and participation,generating positive social and cultural impact by fostering active engagement and inclusive experiences for all audiences.
作者
杨周运
YANG Zhouyun(Faculty of History,University of Seville,Seville 41004,Spain)
关键词
动态与互动雕塑
多感官博物馆可达性
包容性策展实践
kinetic and interactive sculpture
multisensory museum accessibility
inclusive curatorial practice
