摘要
自20世纪90年代以来,以电影为代表的影视艺术飞速发展,其对中国当代小说的影响日益显著。作家们在面对这种冲击时,逐渐形成了一种“影像化叙事”的潮流,试图通过与影视艺术的结合,寻找新的创作灵感和表达方式。刘慈欣作为中国科幻文学的领军人物,其小说中明显的影像化叙事特征就是这一潮流的典型代表。在其代表作《三体》系列中,可以清晰地看到作者对蒙太奇手法、光影与色彩,以及画外音等影视元素的娴熟运用。影像化叙事的运用,有力地提升了《三体》系列的艺术表现水平,并为当代小说如何应对影视艺术冲击提供了有益的参考和范例。
Since the 1990s,film and television art represented by movies have developed rapidly,and their influence on contemporary Chinese fiction has become increasingly significant.In the face of this impact,writers have gradually formed a trend of"imagistic narrative,"trying to find new creative inspiration and expression by combining with film and television arts.As a leading figure in Chinese science fiction literature,Liu Cixin's distinct imagistic narrative features in his novels are a typical representative of this trend.In his representative work,the Three-Body Problem series,one can clearly see the author's skilled use of film and television elements such as montage techniques,light and shadow,color,and voice-over.The use of imagistic narrative effectively enhances the artistic expression level of the Three-Body Problem series and provides a useful reference and example for how contemporary novels should deal with the impact of film and television arts.
作者
李浩然
LI Haoran(Sichuan Provincial Library/Sichuan Ancient Books Protection Center,Chengdu 610015,Sichuan,China)
出处
《惠州学院学报》
2026年第1期78-83,共6页
Journal of Huizhou University
关键词
影像化叙事
刘慈欣
《三体》
imagistic narrative
Liu Cixin
The Three-Body Problem
