摘要
1987年,陕西法门寺唐代地宫遗址的考古发掘出了大量珍贵丝织品遗存。鉴于银质装饰材料在历史织物应用中存在易氧化劣化的特性,加之此类装饰工艺的应用范围相对有限,现存实物遗存具有显著的稀缺性价值。以法门寺地宫出土的唐代泥银丝织物为对象,系统分析其工艺特征,并运用艺术形态学方法解析其装饰图案的构成范式与风格源流,进而对其图案造型、构图寓意、风格特点、表现手法及编织技术等方面展开综合分析与探讨。
In 1987,a large number of precious silk textile remains were excavated from the archaeological site of the Tang Dynasty underground palace at Famen Temple in Shaanxi Province.Given the characteristic of silver decorative materials being prone to oxidation and deterioration in historical textile applications,coupled with the relatively limited scope of application of such decorative techniques,the existing physical remains possess significant scarcity value.Taking the Tang Dynasty mud silver silk fabric unearthed from the underground palace of Famen Temple as the object,its techno⁃logical characteristics were systematically analyzed,and the artistic morphology method was used to analyze the composi⁃tion paradigm and style origin of its decorative pattern,and then the pattern modeling,composition implication,style char⁃acteristics,expression methods and weaving technology were comprehensively analyzed and discussed.
作者
包勇斌
BAO Yongbin(School of Fashion and Art Design,Xi’an Polytechnic University,Xi’an 710048,China)
出处
《染整技术》
2026年第2期61-65,共5页
Textile Dyeing and Finishing Journal
关键词
法门寺
唐代丝绸
泥银
印花工艺
Famen Temple
silk in Tang Dynasty
mud silver
printing process
