摘要
高淳民歌是流传千年的民间音乐,属吴歌体系,因其位于苏、皖、浙三省交界处,故具有江南文化杂交的特征。关于高淳民歌的形态研究,主要可从历史记忆与旋宫技法、文化特征、旋律形态、曲式结构、音乐内涵五个方面入手,探知高淳民歌为何能够成为农耕文明的生命记忆。
Gaochun folk songs,a millennia-old form of folk music,are part of the Wu Song tradition.Prevalent at the junction of Jiangsu,Anhui,and Zhejiang provinces,they embody the cultural hybridity characteristic of the Jiangnan region.A morphological analysis of these folk songs can be approached primarily from five dimensions:historical memory and xuan gong(modulation)techniques,cultural attributes,melodic morphology,musical structures,and musical connotations,so as to explore why Gaochun folk songs have evolved into a living memory of agricultural civilization.
出处
《南京艺术学院学报(音乐与表演版)》
北大核心
2026年第1期71-75,I0003,共6页
JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance
关键词
高淳民歌
审美价值
文化记忆
形态特征
Gaochun folk songs
Aesthetic value
Cultural memory
Morphological characteristics
