摘要
1942至1943年战时桂林城抗战歌咏处于持续低迷期。太平洋爆发后,马思聪等音乐家由港抵桂,他们的音乐抚慰了战时人们的心灵。同时,此起彼伏的音乐会也是战时流亡音乐家的生计。大量外籍人士涌入,桂林城开始有外籍音乐家音乐会和外籍人士组织的唱片音乐会。此外,从上层兴起了以慰劳同盟军人和外交人员的娱乐活动,继而影响到整个社会风气,歌舞音乐、时代曲兴起。此间,音乐会西风盛行,商业音乐活动兴起,展现了皖南事变前桂林城所未有的多元音乐图景。
From 1942 to 1943,patriotic singing in wartime Guilin to support the War of Resistance against Japanese Aggression was on the wane.After the outbreak of the Pacific War,musicians such as Ma Sicong moved to Guilin from Hong Kong,and their music soothed the souls of people in the war.Meanwhile,successive concerts also served as a livelihood for refugee musicians displaced by the war.With a large influx of foreign people,Guilin began to have concerts held by foreign musicians and record concerts organized by foreign residents.Additionally,entertainment activities were held by upper social circles to comfort allied soldiers and diplomats,which gradually influenced the entire society,leading to the rise of dance music and popular songs.During this period,concerts flourished,and commercial music activities emerged,presenting an unprecedented diverse musical landscape in Guilin before the Southern Anhui Incident.
出处
《南京艺术学院学报(音乐与表演版)》
北大核心
2026年第1期65-70,I0002,共7页
JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance
基金
教育部人文社会科学研究规划基金项目“全球史视域下中国抗战音乐文化研究(1931—1945)”(项目编号:25YJA760046)阶段性成果。