摘要
朱熹对宋玉辞赋的接受呈现显著的矛盾性差异,他对符合儒家道德伦理观念的《九辩》给予正面评价,而对《高唐赋》《神女赋》等恋情美色赋表达了否定评价。这一矛盾性评价源于朱熹以理学视角重构楚辞的阐释态度,其将楚辞批评纳入儒家“三纲五典”的道德伦理框架,反映了中国传统文论中文学与道统之间长期存在的张力。通过分析朱熹对宋玉辞赋的矛盾性评价,不仅可以进一步理解朱熹的楚辞学思想和文道观,而且有助于客观认识宋玉的文学史地位,促进宋玉辞赋作品的研究。
Zhu Xi’s attitude towards Song Yu’s Ci and Fu showed a significant contradiction.He gave a positive evaluation to Nine Arguments which were in line with Confucian moral and ethical concepts,but held a negative attitude to Gaotang Fu and Shennu Fu focusing on love and beauty.This contradictory evaluation stems from Zhu Xi’s attitude toward reconstruction the Songs of Chu from the perspective of neo-Confucianism.He integrated the Songs of Chu criticism into the ethical framework of the Confucian“Sangang Wudian”,which reflects the long-standing tension between literature and Confucian orthodoxy in traditional Chinese literary theory.Analyzing Zhuxi’s contradiction evaluation,we can not only further understand Zhu Xi’s thought on the Songs of Chu and on the relationship between literature and moral,but objectively understand Song Yu’s position in literature history,and promote the study of Song Yu’s Ci and Fu.
作者
崔琪琪
庄丹
CUI Qiqi;ZHUANG Dan(School of Chinese Language and Literature,Minnan Normal University,Zhangzhou 363000,China)
出处
《湖北文理学院学报》
2026年第1期17-22,共6页
Journal of Hubei University of Arts and Science
基金
闽南师范大学校长基金项目(SK19009)。
关键词
朱熹
宋玉
辞赋
Zhu Xi
Song Yu
Ci and Fu
