摘要
戏剧作为人类文化的重要载体,记录着人类文明的发展,是全世界人民共同的艺术。世界上不同国家不同种族又因文化土壤不同,导致戏剧在叙事建构层面呈现鲜明分野,既存在共性,又展现独特差异,折射出中外不同的哲学思想与审美追求,也为当代戏剧创作提供多元借鉴。本文以《牡丹亭》和《哈姆雷特》为例,聚焦中外戏剧叙事建构,通过比较分析的方式,剖析中外戏剧在叙事结构、叙事视角和叙事主题三个维度的异同,既是对戏剧艺术内在规律的探寻,也是理解不同文化特质的重要路径,有助于推动戏剧艺术在多元文化语境下的交流与发展。
As a vital medium of human culture,drama chronicles the evolution of civilization and stands as a universal art form.The distinct cultural soil of different nations and ethnic groups has shaped dramatic narratives with both universal elements and unique characteristics,reflecting diverse philosophical philosophies and aesthetic pursuits across cultures.These differences provide valuable references for contemporary theatrical creation.This study examines The Peony Pavilion and Hamlet as case studies,analyzing their narrative structures,perspectives,and themes through comparative analysis.The research not only explores the intrinsic principles of dramatic art but also offers a pathway to understand cultural distinctiveness,ultimately facilitating cross-cultural exchange and development in the context of multiculturalism.
作者
李荣丽
LI Rongli(School of Huangmei Opera,Anqing Normal University,Anqing 246000,China)
出处
《文艺新声》
2025年第11期127-131,共5页
关键词
中外戏剧
叙事建构
比较研究
Chinese and foreign drama
narrative construction
comparative study
