摘要
本文立足传统山水画与江南古典园林同根同源的文化根基,从山水画论视角切入,深入探寻二者在构思与结构上的共通性。通过细致剖析瞻园的空间要素设计布局、造园构图设计法则、景观序列设计层次、形神气韵设计表达及空间结构形态设计等关键方面,将山水画论精髓与造园艺术实践相联结,实现画理与园理的跨界对话与相互印证。其目的在于以传统文化视角和贴近国人情感共鸣的语境,揭示江南古典园林的空间艺术魅力,提炼空间营造精髓;并进一步从中汲取灵感,为古典园林现代化转型提供指导和启示,以期在传承发扬中国古典园林艺术及传统画论美学思想的同时,为现代园林设计注入新活力与深度。
Based on the shared cultural roots of traditional landscape painting and Jiangnan classical gardens,this paper explores their commonalities in conception and structure from the perspective of landscape painting theory.By meticulously analyzing the key aspects of Zhan Garden,such as the design and layout of spatial elements,the principles of garden composition,the hierarchical structure of landscape sequences,the expression of form,spirit and artistic charm,and the design of spatial structure and morphology,this study connects the essence of landscape painting theories with the practice of garden-making art,thus achieving interdisciplinary dialogue and mutual verification between the theories of painting and garden design.The study aims to reveal Jiangnan classical gardens'spatial charm,extract space construction essence(from a traditional cultural perspective resonating with Chinese people),and offer insights for their modern transformation.It expects to inject vitality and depth into modern garden design while inheriting classical garden art and traditional painting aesthetics.
作者
张孜曦
田宝川
ZHANG Zixi;TIAN Baochuan(Hebei University of Science and Technology,Shijiazhuang 050018,China)
出处
《鞋类工艺与设计》
2026年第3期79-81,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
古典园林
山水画理
造景手法
瞻园
classical gardens
landscape painting principles
landscape design techniques
zhan garden
