摘要
20世纪,京剧艺术在时代变迁中不可避免地面临如何表现现代生活的深刻挑战。从20世纪初的初步尝试,经过一代又一代前辈的努力,到了六七十年代,终于出现了一些较为成熟的京剧现代戏。本文首先简要回顾20世纪京剧表现现代生活的几个历史关键点,以此切入创作的核心困境——传统艺术形式与现代生活内容之间的内在矛盾。进而以《智取威虎山》与《杜鹃山》的剧本文学为个案,通过文本细读与比较研究,探讨半个世纪以前京剧文学范式的转型,从一个侧面分析、探讨京剧艺术在现代中国的发展。
In the twentieth century,Peking Opera inevitably faced the profound challenge of how to portray modern life amid the changing times.From the tentative attempts at the beginning of the century,some relatively mature plays of modern Peking Opera finally emerged by the 1960s and 1970s through the efforts of generations of predecessors.This article first briefly reviews several historical milestones in the portrayal of modern life in Peking Opera during the last century,employing them as a starting point to address the core creative dilemma,that is,the inherent contradiction between traditional art forms and the content of modern life.Furthermore,taking the script literature of Zhiqu-Weihushan(The Taking of Tiger Mountain)and Dujuanshan(Azalea Mountain)as case studies,it explores the paradigm shifts in Peking Opera literature half a century ago with close reading and comparative research to analyze and discuss the development of Peking Opera art in modern China.
作者
孙玫
SUN Mei(Department of Chinese Literature,Taiwan Central University,Taoyuan,Taiwan 32001,China)
出处
《贵州大学学报(艺术版)》
2026年第1期71-77,F0003,共8页
Journal of Guizhou University Art Edition
关键词
京剧现代戏
京剧剧本文学
《智取威虎山》
《杜鹃山》
范式转型
modern Peking Opera
script literature of Peking Opera
Zhiqu-Weihushan(The Taking of Tiger Mountain)
Dujuanshan(Azalea Mountain)
paradigm shift
