摘要
麦积山石窟第127窟正壁所绘的涅槃变壁画中,有两身相对而立的人物形象一直被学界忽视。通过现场观察,结合相关涅槃题材中荼毗图像构图的对比以及佛教经典的记载,判断这两身人物形象应为《佛般泥洹经》中所记载的末罗族人,表现的是释迦佛涅槃之后,末罗族人以香乳灭火的场景。这一图像组合显示出麦积山第127窟的涅槃变壁画受到了犍陀罗地区的影响,同时又有个性化和本土化的设计与表现。
In the Nirvana Sutra illustration depicted on the main wall in Cave 127 at the Maijishan Grottoes,there are two men standing and facing each other who have always been overlooked by academia.By combining on-site observation,comparative study of the composition of the cremation scenes in relevant Nirvana stories,and research on the records of Buddhist scriptures,this study has concluded that the two men are likely the Mallas mentioned in the Paranirvana Sutra,and that they were depicted in this mural in order to illustrate the story of the Mallas extinguishing a fire with milk fragrance after the Buddha entered nirvana.This choice of image combination indicates that the Nirvana Sutra illustration in Cave 127 was influenced by Gandhara art,while also featuring several unique characteristics and designs from local culture.
作者
张扬
张铭
ZHANG Yang;ZHANG Ming(School of Cultural Heritage,Northwest University,Xian 710100,Shannxi;Maijishan Grottoes Art Research Institute,Dunhuang Academy,Tianshui 741020,Gansu;Binglingsi Cultural Relics Conservation and Research Institute,Dunhuang Academy,Linxia 731600,Gansu)
出处
《敦煌研究》
北大核心
2025年第6期44-50,共7页
Dunhuang Research
基金
敦煌研究院“敦煌研究院青年人才支持计划”(第一期)。
关键词
涅槃变
《佛般泥洹经》
灭火人
末罗族人
Nirvana Sutra illustration
Nirvana Sutra
people extinguishing a fire
Mallas
