摘要
中世诗歌声律思想形成于南朝齐永明时期,但它的渊源却可以向前追溯得更早一些。就本土渊源来说,自古以来人们即对汉语声韵节奏特点有认识,故而在创作上注重诗文的音乐性,追求诗文的声音之美,中世声病声律思想正是这一认识发展的自然结果。就外来影响来说,吠陀三声与佛经转读可能对人们认识及发现汉语四声有启发作用,而梵语悉昙学的传来,更对人们用韵纽图的形式描述汉语声韵关系,以及认识汉语的声韵特点提供了启发。梵语诗学的诗病说,可能影响了汉语诗学的诗病说。
The prosodic theory of medieval Chinese poetry took shape during the Yongming period of the Southern Qi dynasty,but its origins can be traced back even earlier.In terms of indigenous origins,since ancient times,there has been an awareness of the phonetic and rhythmic characteristics of the Chinese language,leading to an emphasis on the musicality of poetry and the pursuit of aural beauty in writing.The thought of tonal defects and prosody in medieval poetry was precisely the natural outcome of the development of this awareness.In terms of external influences,the three Vedic accents and the oral recitation of Buddhist sutras may have inspired the recognition and discovery of the four tones in Chinese language.Moreover,the introduction of Sanskrit Siddham studies provided insights for describing the relationship between Chinese tones and rhymes through rhyme-initial chart(Yunniu Tu)and for understanding the phonetic features of Chinese.The theory of poetic defects in Sanskrit poetics may also have influenced the corresponding theory in Chinese poetics.
作者
卢盛江
Lu Shengjiang(Zhejiang Shuren University,Hangzhou 310015,China)
出处
《河南师范大学学报(哲学社会科学版)》
北大核心
2026年第1期127-133,共7页
Journal of Henan Normal University(Philosophy and Social Sciences)
关键词
声律
诗病
吠陀三声
佛经转读
梵语悉昙学
prosody
poetic defects
the three Vedic accents
recitation of Buddhist sutras
Sanskrit Siddham studies
