摘要
“里斯本丸”沉船事件历史真相的创伤叙事在官方资料和民间口述中存在裂隙,同时伴随英军、东极渔民、日军与美军的多元视角交织。文艺作品对沉船事件的转化再现,通过纪实文学的档案考古性、小说的虚构叙事性和影视的情境物化性进行三重复原叙事,体现海洋性叙事特征、意象隐喻和视听语法的诗学建构。
The traumatic narrative of historical truth of the sinking of the“Lisbon Maru”has divergences between official records and folk oral accounts,and is accompanied by the diverse perspectives from the British military,the fishermen from the Dongji island,the Japanese military and the American military.The transformation and recreation of the sinking incident in literary works is a triple restoration narrative carried out through the archival archaeology in documentary literature,fictional narrative in novels,and situational materialization in films and televisions,embodying the poetic construction of maritime narrative characteristics,imagery metaphors and audio-visual grammar.
作者
王静飞
Wang Jingfei(Zhejiang International Maritime College,Zhoushan,Zhejiang 316021,China)
出处
《漯河职业技术学院学报》
2026年第1期73-75,共3页
Journal of Luohe Vocational and Technical College
基金
舟山市哲学社会科学研究规划课题“舟山沉船事件海洋创伤的叙事诗学建构”(2025075)
浙江省哲学社会科学规划课题“口述史视域下‘里斯本丸’营救事件研究”(ZX2025067)。
关键词
“里斯本丸”沉船事件
文化记忆
创伤叙事
海洋诗学
the sinking of the“Lisbon Maru”
cultural memory
trauma narrative
maritime poetics
