摘要
云南现代重彩画艺术家群体作为20世纪80年代中国画坛崛起的一支重要地域性绘画群体,以其浓烈绚丽的色彩、独特的民族风情和融合东西方绘画语言等特征,为中国现代美术注入了鲜活的生命力。云南现代重彩画在形式美感上的大胆尝试与探索,不仅是艺术风格的创新,更是一种文化现象的呈现。已有的研究成果多聚焦于作品及代表性艺术家个案的研究,较少从创作者主体内部视角展开研究。通过对云南现代重彩画艺术家口述史料的梳理和分析,运用集体记忆与文化认同理论,探讨云南现代重彩画艺术家如何通过艺术实践与口述叙事,揭示“云南意象”并非自然的存在,而是通过重彩画艺术家群体的创作实践、叙事与记忆回溯共同建构的文化产物,从而为理解地域美术群体及绘画流派的发生机制提供一个新的研究视角。
As a significant regional painting group that emerged in China's art scene during the 1980s,the collective of Yunnan modern heavy-color painters infused Chinese modern art with vibrant vitality through their intense,brilliant colors,unique ethnic flair,and fusion of Eastern and Western painting languages.The bold formal experiments in Yunnan Modern Heavy-Color Paint-ing represent not merely stylistic innovation but a cultural phenomenon.Existing research has predominantly focused on individual works and representative artists,with limited exploration from the creators'internal perspectives to uncover the cultural dynamics driving the formation and widespread influence of this artistic collective.Through the collation and analysis of oral history materials from Yunnan modern heavy-color painting artists,this study employs theories of collective memory and cultural identity to explore how these artists,through artistic practice and oral narratives,reveal that the"Yunnan Imagery"is not a natural phenomenon.Rather,it is a cultural construct jointly shaped by the creative practices,narratives,and recollections of memory.This offers a fresh research perspective for understanding the emergence mechanisms of regional art groups and schools.
作者
刘建理
王菲
Liu Jianli;Wang Fei
基金
云南省哲学社会科学艺术科学规划项目“口述史视野下云南版画创作群体研究”(项目编号:A2022YM09)阶段性成果。
关键词
云南现代重彩画
口述史
个体记忆
集体记忆
文化认同
Yunnan modern heavy-color painting
oral history
individual memory
collective memory
cultural identity
