摘要
以“族性”与“国性”互动理论为框架,探讨马赛族在全球化背景下如何通过音乐实践平衡传统与现代矛盾。采用田野调查与民族志分析相结合的方法,对马赛族的生存方式、信仰体系、社会结构、传统仪式音乐实践及其现代变迁进行了分析。研究显示,马赛族以半游牧经济为基础、恩盖神崇拜为核心信仰、年龄组制度为框架的文化体系,通过喉音合唱、库杜号角等仪式音乐强化社会凝聚与身份认同。在现代转型进程中,仪式音乐经历了从内部社会化向旅游表演化的形态转变,面临文化商品化和本真性流失的双重挑战,马赛人通过社区主导的旅游倡议和双语教育,实现了身份重构与文化资本化。
Framed by the interaction theory of ethnicity and nationality,this study explores how the Maasai people balance tradition and modernity through musical practices in the context of globalization.Combining fieldwork and ethnographic analysis,the research examines the Maasai’s living styles,belief systems,social structures,traditional ritual music practices and their modern transformations.The findings reveal that the Maasai cultural system,based on a semi-nomadic economy,centered on the worship of the deity Engai,and structured around age-set systems,reinforces social cohesion and identity through ritual music such as throat singing and Kuduo horn performances.In the process of modern transformation,ritual music has shifted from internal socialization to tourism performance,facing dual challenges of cultural commodification and loss of authenticity.Through community-led tourism initiatives and bilingual education,the Maasai have achieved identity reconstruction and cultural capitalization.
作者
陈朝黎
张浩哲
CHEN Zhaoli;ZHANG Haozhe(Department of Musicology,Central Conservatory of Music,Beijing 100031,China)
出处
《合肥师范学院学报》
2025年第5期99-104,共6页
Journal of Hefei Normal University
基金
中央音乐学院校级科研课题“海上丝绸之路的终点——肯尼亚蒙巴萨地区音乐文化研究”(19YB07)。
关键词
马赛族群
仪式音乐
东非音乐
文化韧性
Maasai people
ritual music
East African music
cultural resilience
