摘要
姚鼐对王士禛《渔洋山人诗合集》的点评具有独特的文献价值。在创作渊源上,姚鼐对王士禛诗歌的师法探寻展现了其“镕铸唐宋”的论诗宗旨。在风格技法方面,从文气论、“神韵”说、古体技法论三个方面分析姚鼐对王士禛诗学的点评,体现姚鼐主张诗文相通的作诗技法。同时,“气不足”“拼凑之嫌”“不称题”等对王士禛诗歌的指瑕之论既彰显了姚鼐与王士禛诗学观点的差异,也凸显姚鼐言之有物的诗学观。
Yao Nai's commentaries on Wang Shizhen's Yuyang Shanren Shi Heji(Collected poems of the Yuyang Shanren,literary name of Wang Shizhen)possess unique documentary value.In terms of creative origins,Yao Nai's exploration of the lineage of Wang Shizhen's poetry demonstrates his own critical principle of"rongzhu Tang Song(synthesizing the Tang and Song)".Regarding style and technique,analyzing Yao Nai's criticisms from the perspectives of the theory of Wenqi(Theory of Literary Qi),the theory of"shenyun(spiritual resonance)",and the technique of ancient-style poetry reveals his advocacy for the interconnectedness of poetry and prose.Meanwhile,his critiques pointing out flaws in Wang Shizhen's poetry—such as"insufficiency of Qi"(vitality),"suspicion of piecing together,"and'incongruity with the title"—not only highlight the divergence between Yao Nai's and Wang Shizhen's poetic views but also underscore Yao Nai's substantive approach to poetics.
作者
徐雨燕
XU Yuyan(School of Humanities,Anqing Normal University,Anqing 246000,China)
出处
《黄山学院学报》
2025年第6期85-90,共6页
Journal of Huangshan University
关键词
姚鼐
王士禛
评点
诗学观
Yao Nai
Wang Shizhen
critique
poetic view
