摘要
元代是[耍孩儿]曲牌发展的重要时期,它被诸宫调、散曲与杂剧三种音乐体裁广泛运用。以此三种音乐体裁的文献资料为依据,具体研究该曲牌在隶属宫调、文辞格律及联缀方式上发生的发展与变化。通过分析得出结论,诸宫调是较好继承宋金时期此种音乐体裁之中[耍孩儿]艺术特征的一种,杂剧是全面发展与改造[耍孩儿]艺术特征的一种,散曲是将这一曲牌之传统特征与时代特征兼容并包的一种,呈现了[耍孩儿]发展、衍变的过程。
.The Yuan Dynasty marked a critical period in the development of the qupai"Shua Hai'er",which was widely utilized across three distinct musical genres-zhuogongdiao,sanqu,and zaju.Based on literature from these three genres,this article specifically investigates the changes and developments of Shua Hai'er's gongdiao,text rhymes,and linkage methods.This study concludes that the zhugongdiao best preserved the artistic characteristics of"Shua Hai'er"inherited from the Song—Jin period.The zaju fully developed and fundamentally transformed Shua Hai'er's artistic characteristics,while sanqu conversely,integrated both the traditional and contemporary features of the Shuai Hai'er,thus demonstrating the process of Shua Hai'er's development and evolution.
出处
《音乐文化研究》
2025年第4期125-135,6,共12页
Music Culture Studies
基金
2022年度教育部人文社会科学重点研究基地重大项目“中国传统音乐的传承和创新机制研究”(项目编号:22JJD760001)阶段性成果。
