摘要
文文学理论既是特定时代语境的产物,亦是映照历史文化变迁的一面镜子。而任何文学或文本理论皆隐含着对“作者”的特定立场,作者问题实为文学理论的核心议题之一。基于此,选取20世纪三篇里程碑式的论文——美国诗人T.S.艾略特的《传统与个人才能》、德国文学评论家沃尔特·本雅明的《作为生产者的作者》与法国作家罗兰·巴特的《作者之死》为考察对象,进而通过厘清三者理论主张的生成逻辑与发展脉络,可清晰呈现文学批评的现代性演进轨迹。
Literary theory is both a product of its specific historical context and a mirror reflecting sociocultural transformations.Any theory of literature or text implies a specific stance towards the"author",making the question of the author one of the core issues in literary theory.By examining three landmark essays from the 20th century-Tradition and Individual Talents by the American poet T.S.Eliot,The Author as Producer by the German literary critic Walter Benjamin,and The Death of the A uthor by the French writer Roland Barthes.By clarifying the generation logic and development process of the theoretical propositions of these three,we can clearly present the modern evolution trajectory of literary criticism.
作者
黄丽娟
赵践
Huang Lijuan;Zhao Jian(International Institute of Chinese Culture,Beijing Foreign Studies University,Beijing 100089;Editorial Department of Journal,Shenyang Normal University,Shenyang Liaoning 110034)
出处
《沈阳师范大学学报(社会科学版)》
2026年第1期32-39,共8页
Journal of Shenyang Normal University(Social Science Edition)
基金
中央高校基本科研业务经费项目(2022JJ003)。
