摘要
本文通过清代宫廷档案、清宫原状陈列及清宫文物的交叉比对,将文献、空间与文物相结合,探寻青花梵文磬铃式高足器的造型渊源、纹样内涵、造作生产等问题。根据口径的不同,将磬铃式高足器分为磬铃靶碗、磬铃靶钟和磬铃靶茶元三种。指出其母本为明代皇帝赏给噶玛巴的“噶玛汉铃”,器外壁书写“八大菩萨”梵文种子字,确认其作为供器的属性,还原其在宫中的所处环境。在清宫作为供器出现时,器内通常会出现响铙、沉香山子、玻璃瓶花、蜡阡等内供物品,是“器供器”的象征性供养组合,供奉数量或七或八,推测均为八供养的一种变体。
Drawing on a comparative analysis of Qing court archives,original display arrangements in the Qing court,and cultural relics,this article integrates textual,spatial,and material evidence to investigate the modeling origins,pattern connotations,and production of the blue-and-white Sanskritinscribed Qingling-form high-footed vessel.Based on differences in rim diameter,the Qinglingstyle high-footed vessels can be divided into three types:Qingling-style ba bowls,Qingling-style ba bells,and Qingling-style ba tea cups.It is pointed out that the prototype vessel was the“Karma Han Ling”given to the Karmapa by the Ming emperor,and the Sanskrit seed syllables of the“Eight Great Bodhisattvas”inscribed on its exterior surface confirm its function as a ritual offering vessel and help to restore the setting it originally occupied within the palace.When used in the Qing palace as a ritual offering vessel,there were usually internal offerings such as the“Xiangnao,Chenxiangshanzi,glass vases,and wax vessels”.These were symbolic offerings for the“vessel offering”combination,with either seven or eight offerings,presumably all variations of the eight offerings.
出处
《中国国家博物馆馆刊》
北大核心
2025年第12期136-156,共21页
Journal of National Museum of China
关键词
青花高足器
磬铃式
梵文
佛堂陈设
八大菩萨
blue and white high-footed vessel
qingling-style
sanskrit
the furnishings of buddhist halls
eight great bodhisattvas
