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中国澳门土生葡人银幕形象的文化混杂性与湾区融合

Cultural Hybridity and Greater Bay Area Integration of Macao-born Portuguese Screen Images
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摘要 学界对中国澳门土生葡人银幕形象的研究,存在系统性不足且忽视其作为中西文化中介之深层混杂性的问题。影像不仅是现实的反映,更是参与塑造现实认同的文化实践。土生葡人银幕形象嬗变轨迹主要表现为三个阶段:受殖民统治时期,其被塑造为殖民与本土双重语境中的“双重他者”,这一银幕形象不仅折射出其在现实中的归属困境,更将该困境外化呈现;回归前后,土生葡语从奇观符号回归日常生活,电影成为土生葡人自我表达与身份梳理的媒介,协助其在现实中逐步构建中国澳门人的主体认同,让其文化特质成为支撑中国澳门“文化之都”定位的核心资源;进入粤港澳大湾区阶段,其文化混杂性获得新阐释空间,影像叙事主动将其转化为连接中西、促进文化共融的纽带。这一银幕形象从“边缘他者”到“文化中介”的转变,不仅记录了土生葡人社会地位的变迁,更彰显了电影通过再现文化混杂性对塑造粤港澳大湾区文化共同体意识所起的建构性作用。 Academic researches on the on-screen image of Macao-born Portuguese people have been lacking in systematicity and has overlooked their deep hybridity as cultural mediators between China and the West.By focusing on films produced with Macao capital,this paper traces the evolution of their on-screen image:during the colonial period,they were portrayed as“double others”in both colonial and local contexts,with colonial architectural spaces reflectsing their sense of belonging.Before and after Macao′s return,the Macao-born Portuguese language returned from being a spectacle symbol to a part of daily life,and the hybrid elements such as dietary customs were naturally presented.The Macao-born Portuguese people used local images to express themselves and gradually established their identity as Macao residents.Their cultural traits have become a core resource supporting Macao′s positioning as a“city of culture”.In the stage of the Guangdong-Hong Kong-Macao Greater Bay Area,their cultural hybridity has gained new interpretive space and has been transformed into a bond connecting China and the West and promoting cultural integration in the Bay Area.This transformation from“marginal other”to“cultural mediator”highlights the unique value of Macao-born Portuguese cultural hybridity in building a cultural community in the Guangdong-Hong Kong-Macao Greater Bay Area.
作者 魏瀚源 庞艳芳 张妤柯 WEI Hanyuan;PANG Yanfang;ZHANG Yuke(Guangdong University of Finance and Economics,Foshan,Guangdong 528100,China)
机构地区 广东财经大学
出处 《龙岩学院学报》 2026年第1期34-40,共7页 Journal of Longyan University
基金 广东省哲学社会科学规划基金项目“二十世纪五六十年代香港粤剧电影在南洋的传播与接受研究”(GD24YYS06)。
关键词 中国澳门土生葡人 银幕形象 文化混杂性 粤港澳大湾区 Macao-born Portuguese screen image cultural hybridity Guangdong-Hong Kong-Macao Greater Bay Area
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