摘要
《国家宝藏》第四季第五期以重庆中国三峡博物馆馆藏“红绸盘金绣花蟒凤衣”为核心,重现明末女将秦良玉率军平定叛乱、守卫重庆的历史事迹。针对剧本设定的战争场景,文章围绕王朝名将的社会地位、女性身份的性别属性与明代军服的制度规范,塑造并建构秦良玉戎装形象。通过文献考证以辨析秦良玉戎装的性别特征,再结合图像资料与服饰文物梳理其戎装形制规范、材料类别、制作工艺。研究表明,秦良玉的戎装在形制上延续男性武官的制式体系,盔甲为铁制,由凤翅盔、掩膊、吊装腿裙组成,搭配红色蜀锦狮子补曳撒、黄地龟甲纹蜀锦抱腰、白色如意云纹领巾、皮制皂靴。整体造型在严格遵循史实与服制的基础上实现了艺术化表达,不仅增强戎装与角色、剧本叙事的契合度,也体现了舞台服饰设计中历史复原与文化表达的有机融合,使秦良玉戎装形象兼具历史考据与艺术再现的双重价值。
The fifth episode of the fourth season of National Treasures centers on the"Red Silk Coiled Goldembroidered Boa and Phoenix Robe"from the collection of the China Three Gorges Museum in Chongqing,recreating the historical exploits of female general Qin Liangyu in the late Ming Dynasty,who led troops to quell rebellions and defend Chongqing.In response to the war scenes established in the script,the work aims to shape and construct the military attire image of Qin Liangyu by centering on the social status of a renowned general in the dynasty,the gender attributes of female identity,and the institutional norms of military uniforms in the Ming Dynasty.Through textual analysis,the gender characteristics of Qin Liangyu's military attire are identified and combined with visual materials and costume artifacts,its standardized forms,material categories,and production techniques are sorted out.The study reveals that Qin Liangyu's military attire conforms to the same structural norms as that of male generals,featuring iron armor composed of a phoenix-winged helmet,shoulder guards,and hanging leg skirts,complemented by a red Sichuan brocade lion-emblem yisan robe,a yellow-ground tortoise-shell patterned Sichuan brocade waistband,a white ruyi-cloud-patterned collar scarf,and leather black boots.The overall design,while strictly adhering to historical accuracy and sartorial regulations,achieves an artistic expression that not only enhances the harmony between the attire,the character,and the narrative script,but also exemplifies the organic integration of historical reconstruction and cultural articulation in stage costume design,endowing Qin Liangyu's military image with dual values in both historical verification and artistic representation.
作者
张晨暄
胡若涵
张蓓蓓
ZHANG Chenxuan;HU Ruohan;ZHANG Beibei(School of Art,Soochow University,Jiangsu Suzhou 215000,China)
出处
《工业工程设计》
2025年第6期66-75,共10页
INDUSTRIAL & ENGINEERING DESIGN
基金
国家社科基金艺术学一般项目(25BG154)。
关键词
秦良玉
明末女将
戎装形象
Qin Liangyu
female general in the late Ming Dynasty
image of military attire
