摘要
孔子“正名”思想主张以周礼规范名实关系,追求伦理与审美的统一,但其理论存在四重困境:一是固守等级秩序,以理想化的“名”强制规范变动的“实”;二是哲学上的概念倒置,压制主体的自调节能力;三是过度伦理化,忽视制度变革;四是政治实践中“名”异化为权力工具。王建疆教授的“自调节审美”理论为此提供了新思路,强调主体通过动态调适实现名实和谐,并以内审美体验超越形式规范。现代修养美学需突破“正名”思想的静态思维,建立三维动态平衡:以历史本体论承认概念的相对性、以实践优先性立足现实调整“名”、以系统开放性保持概念的调适能力。传统“正名”思想的现代转化应融合自调节的实践智慧与内审美的超越维度,在继承和谐追求的同时实现创造性重构。
Confucius’“Rectifi cation of Names”(Zhèng míng)theory advocates regulating the relationship between names and realities through the norms of Zhou ritual,aiming for the unity of ethics and aesthetics.However,this theory faces four key dilemmas:First,it rigidly adheres to hierarchical order,using an idealized“name”to forcibly constrain evolving“realities”;Second,it exhibits a philosophical inversion of concepts,suppressing the subject’s capacity for self-regulation;Third,it overemphasizes ethical formalism,neglecting institutional transformation;Fourth,in political practice,“names”are often instrumentalized as tools of power.Professor Wang Jianjiang’s theory of“Self-Regulating Aesthetics”off ers a fresh perspective,emphasizing the subject’s dynamic adaptation to harmonize names and realities while transcending formal norms through inner aesthetic experience.Modern cultivation aesthetics must move beyond the static framework of“Rectification of Names”and establish a threedimensional dynamic equilibrium:acknowledging the relativity of concepts through historical ontology,prioritizing practice to adapt“names”to realities,and maintaining conceptual fl exibility through systemic openness.The modern transformation of traditional“Rectifi cation of Names”should integrate the practical wisdom of self-regulation and the transcendent dimension of inner aesthetics,preserving its pursuit of harmony while achieving creative reconstruction.
作者
许莹莹
Xu Yingying(School of Preparatory Education Guangxi Mimzu University,Nanning 530006,China;SchoolofHumanities,ShanghaiNormalUniversity,Shanghai200234,China)
出处
《黑河学院学报》
2026年第1期29-33,共5页
Journal of Heihe University
关键词
孔子
“正名”
自调节审美
内审美
修养美学
Confucius
“Rectifi cation of Names”(Zhèngmíng)
self-regulating aesthetics
inner aesthetics
cultivation aesthetics
