摘要
在全球科技竞争与文化软实力博弈的大背景下,非遗传统工艺面临着如何借助数字化手段突破物理载体限制和逾越国际文化传播壁垒的问题。基于数字媒体艺术专业视角,聚焦当前数字艺术创作中普遍存在的介质同质化问题,提出构建具有特定非遗美学特征的数字画布的解决路径。以“数字蜡染画布”为核心案例,阐述其在创作具有非遗美学特征的数字作品中的实际作用,为后续开发具备文化属性的数字工具提供一定参考价值,推动文化遗产数字化从“保存”走向“创新应用”。
Amid global technological competition and cultural soft power contests,intangible cultural heritage(ICH)crafts face challenges in transcending physical and cross-cultural communication barriers through digital means.From a digital media art perspective,the issues of medium homogenization in digital art by proposing the construction of a digital canvas embedded with specific ICH aesthetic features are addressed.Using a“Digital Batik Canvas”as a core case,its application in creating digital works with ICH aesthetics is demonstrated,offering a reference for developing culturally specific digital tools and exploring the shift from digital“preservation”to“innovative application”of cultural heritage.
作者
高毓璘
GAO Yulin(School of Design,Yunnan Art University,Kunming 650500,China)
出处
《染整技术》
2025年第12期118-120,共3页
Textile Dyeing and Finishing Journal
关键词
非物质文化遗产
数字化创新
数字画布
质感模拟
蜡染
intangible cultural heritage
digital innovation
digital canvas
texture simulation
batik
