摘要
蜀道山水画构成了中国山水画史的独特专题,在中国山水画的历史发展中形成了完整的发展脉络。蜀道山水画具有重要的历史、文化与艺术价值,成为蜀道文化的重要组成部分。以顾恺之画云台山作为蜀道山水画的历史起点,唐代形成了以栈道为核心,山水与人物相结合的图式特征,宋代蜀道山水画走向成熟与发展,明清形成比较固化的模式,晚清、民国以来,蜀道山水画不断变革,汇入中国现代美术的潮流。蜀道山水画的当代发展需要不断突破地域性的局限,在历史传承、地方发展和当代文化创新中有新作为。
Within the realm of Chinese landscape painting,those related to Shudao constitute a unique thematic tradition.They hold significant historical,cultural,and artistic value,becoming an integral part of Shudao culture.Gu Kaizhi's painting of Yunyang Mountain in the Tang Dynasty was regarded as the historical starting for Shudao landscape painting,when a characteristic pattern combining landscapes and figures with plank roads at its center was formed.By the Song dynasty,the genre got refined and matured,while in the Ming and Qing Dynasties,a relatively fixed model was established.Since the late Qing and the Republic of China period,Shudao landscape painting has undergone continuous transformations,blending into the trend of modern Chinese art.The contemporary development of Shudao landscape painting needs to continually break through regional limitations so as to achieve new accomplishments in historical inheritance,local development,and contemporary cultural innovation.
出处
《蜀道研究》
2025年第1期74-89,159-160,共18页
