摘要
“同祖风骚”是中国文学史观的核心命题,形成于汉代,经六朝文论家的阐释,成为后世文学源流叙事的基本框架。该史观认为,《诗经》与《楚辞》共同构成中国文学的两大源头,二者在言志与缘情、写实与传奇、素朴与感伤等维度上既对立又交融,推动了中国文学的演进。然而,在儒家诗教传统的影响下,文学批评长期存在扬“风”抑“骚”的倾向,即以《诗经》为代表的现实主义传统为主流,以《楚辞》为代表的浪漫主义传统为别调。近代以来,学界以现实主义与浪漫主义比附“风”“骚”,虽强化了这一叙事的普遍性,也在一定程度上遮蔽了其内在的复杂性与张力。文章系统梳理了“同祖风骚”文学史观的源流、结构及价值取向,旨在揭示其在中国文学史书写中的深层逻辑与现代意义。
"Same Ancestral Poetry and Odes"is a core proposition of Chinese literary history,which was formed in the Han Dynasty and became the basic framework for the narrative of literary sources in later generations after being expounded by literary critics of the Six Dynasties.This historical view holds that The Book of Songs and The Songs of Chu jointly constitute the two major sources of Chinese literature.They are both opposed and integrated in dimensions such as expressing aspirations and expressing emotions,realism and legend,simplicity and sentimentality,and have promoted the evolution of Chinese literature.However,under the influence of the Confucian tradition of poetry education,literary criticism has long had a tendency to praise"Poetry"and suppress"Odes",that is,the realistic tradition represented by The Book of Songs is the mainstream,while the romantic tradition represented by The Songs of Chu is a variation.Since modern times,the academic circle has compared realism and romanticism with"Poetry"and"Odes",which has strengthened the universality of this narrative to some extent,but also obscured its inherent complexity and tension.This article systematically sorts out the origin,structure,and value orientation of the"Same Ancestral Poetry and Odes"literary historical view,aiming to reveal its deep logic and modern significance in the writing of Chinese literary history.
作者
汪叙辰
WANG Xuchen(Sejong University,Seoul 05006)
出处
《贵州开放大学学报》
2025年第4期66-72,共7页
Journal of Guizhou Open University
关键词
“风”
“骚”
文学史观
“同祖风骚”
诗教传统
"Poetry"
"Odes"
Literary Historical View
"Same Ancestral Poetry and Odes"
Tradition of Poetry Education
