摘要
数字技艺和古希腊技艺(Тε'χυη)都重视与自然的紧密联系。古希腊哲学中的自然不仅具有技艺,还暗含了自然的“能动性”。联系当今的机器智能,一方面,数字技艺中的智能化创作需要运用机器学习来实现,机器学习分为向人学习和向自然学习,向自然学习可以说是激活了隐藏在自然中的技艺;另一方面,数字技艺通过给自然中的非人存在绑定传感器,进行数字化操作,也可以让自然“显露”自身,这相当于激活了自然的“能动性”。因此,数字技艺不仅具有阿多所说的普罗米修斯式的力学技艺,也具有俄耳甫斯式的与自然和谐相处的感性技艺。在数字技艺中平衡好普罗米修斯和俄耳甫斯两股力量,既不让技术完全凌驾于自然之上,又让技术为人类造福,是思考人、技术和自然关系的关键。
Both digital Technique and ancient Greek Thechne(Тε'χυη)value a close connection with nature.Connect with the current development of machine intelligence,the nature in ancient Greek not only possesses techne but also implies the“agency”of nature.On one hand,intelligent creation in digital technique requires the use of machine learning,which can be divided into learning from humans and learning from nature.Learning from nature can activate the technique hidden within it;on the other hand,digital technique,by attaching sensors to non-human entities in nature and digitizing them,can also make nature“reveal”itself,thereby activating the“agency”of nature.Therefore,digital technique possesses not only the Promethean mechanical skills described by Pierre Hadot but also the Orphic sensory skills of harmoniously coexisting with nature.Balancing the forces of Prometheus and Orpheus in digital technique,ensuring that technology does not completely dominate nature,yet allowing it to benefit humanity,is key to contemplating the relationship between humans,technology,and nature.
出处
《文化研究》
2024年第1期157-174,共18页
Cultural Studies
基金
国家社科基金重大项目“西方自然美学通史”(项目编号:19ZDA044)
国家社科基金重大项目“中国新媒介文艺研究”(项目编号:18ZDA282)的阶段性成果
