摘要
本文围绕近年来国产古装剧在历史观、文化观、女性观等方面的创作成绩与不足展开论述。首先指出其创作观念上努力以当代精神视野灼照历史,通过微观史学视角彰显进步的历史意识、人民史观与个体价值;借助悬疑叙事的智力博弈解构权力、展开文化反思;并在古代故事中借助近似的社会议题映照当下、借古讽今;以及通过细节夯实历史氛围,追求优秀传统文化的“两创”效果,收获了引人瞩目的创作成绩。文章也反思了国产古装剧在消费主义推动下构建历史想象时带有的“超时代”夸张与历史虚焦等创作症结,如以影像文化符号的堆砌代替真实的历史感,过度追求为观众提供爽感化的情绪价值、稀释并扭曲了历史表达,以及混杂着陈腐套路、缺少历史感的夸张女性意识。
This paper discusses the achievements and shortcominss of domestic costume dra-mas in recent years regarding their historical,cultural,and gender perspectives.It first highlights bow the n drorniea trive toileninae bistory trnueh eotomaerary spiitn lenses heraing erna micro-historical perspectives.By employing the intellectual dynamics of suspenseful narratives,they deconstruct power and engage in cultural reflection.Additionally,these dramas use analogous social issues in ancient stories to mirror the present,offering critiques of modern society through historical allegories.Through meticulous attention to detail,they solidify the historical atmosphere and pursue the"dual creative transformation"of excellent traditional culture,achieving remarkable creative suc-cesses.The paper also reflects on the pitfalls in constructing historical imagination driven by consum-erism,such as"trans-era"exaggeration and historical defocusing.Examples include replacing genu-ine historical sensibility with the accumulation of visual cultural symbols,excessively prioritizing emotional gratification for audiences at the expense of diluting and distorting historical expression,and exaggerating female consciousness with outdated tropes and a lack of historical authenticity.
作者
戴清
石天悦
Dai Qing;Shi Tianyue
出处
《南京师范大学文学院学报》
2025年第3期167-175,共9页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
北京市习近平新时代中国特色社会主义思想研究中心项目“习近平新时代中国特色社会主义思想对传承和发展中华优秀传统文化作出的历史性贡献研究”(编号:22LLWXA007)。
关键词
古装剧
微观历史
历史真实
现代意识
消费主义
costume dramas
Microhistory
historicaf truth
modern consciousness
consumerism
