摘要
《哪吒之魔童闹海》作为一部改编自中国传统神话的动画电影,通过“燃向+温情+幽默”式叙事,实现了对传统文学经典的范式重构,并赋予角色新的内涵和情感表达,使其与当代观众(尤其是青少年观众)产生强烈共鸣。但《哪吒之魔童闹海》也存在一些话语裂隙:部分人物被扁平化,剧情稍显模式化与过度娱乐化,风格过于短剧影游化等。对其创作得失进行较为全面深入的剖析,揭示其在传统与现代、传承与创新之间所见出的平衡与失衡,应于国产电影创作乃至新时代大众文艺的繁荣发展有所助益。
As an animated film adapted from a traditional Chinese mythology,Nezha 2 achieves a paradigm reconstruction of a traditional literary classic through a"passion-driven+heartwarming+humorous"narrative style.The film endows its characters with new connotations and emotional expressions,resonating strongly with its contemporary audiences,particularly teenagers.However,it exhibits certain discursive gaps:some of the characters appear flat,the plot occasionally feels formulaic and overly entertaining,and the style leans too much toward short-drama,film,and game aesthetics.Undoubtedly,a comprehensive in-depth analysis of merits and shortcomings in its creation reveals the balance and imbalance between tradition and modernity as well as inheritance and innovation.Additionally,the analysis proves beneficial to the domestic film-making in addition to flourishing development of popular arts in the new era.
作者
峻冰
田春霞
JUN Bing;TIAN Chunxia(College of Literature&Journalism,Sichuan University,Chengdu,Sichuan 610207)
出处
《绵阳师范学院学报》
2025年第12期85-92,共8页
Journal of Mianyang Teachers' College
基金
国家社会科学基金西部项目“中国微短剧的话语体系创新与艺术自律研究”(25EC253)
