摘要
历史上,漠北蒙古是藏传佛教传播和发展的重要地域,藏传佛教寺庙建筑数量众多。通过对漠北蒙古88处、110座藏传佛教寺庙的实地调研和历史文献分析,揭示了漠北蒙古藏传佛教寺庙的历史规模与遗存概况,解析了其区别于其他蒙古地区的建筑新范式。研究认为,漠北蒙古藏传佛教建筑通过广泛吸纳不同建筑元素并对其进行组合重构或简化,形成了具有“草创与拼合”特征的新范式。这一特征不仅体现在建筑形制的多样性上,更表现于营建技艺的地域化创新。研究不仅深化了对漠北蒙古地区藏传佛教建筑文化的认识,也为其他地区此类宗教建筑的研究提供了参考和启示。
Historically,Northern Mongolia has been a significant area for the spread and development of Tibetan Buddhism,with a large number of Tibetan Buddhist temples.This paper,through field research and historical document analysis of 88 locations and 110 Tibetan Buddhist temples in Northern Mongolia,reveals the historical scale and current state of these temple remains,and analyzes the new construction paradigms that distinguish them from other Mongolian regions.The study suggests that Tibetan Buddhist architecture in Northern Mongolia,by extensively incorporating and freely combining or simplifying diverse architectural elements,has formed a new paradigm characterized by"improvisation and assemblage",which is reflected not only in the diversity of architectural forms,but also in the regional innovation of construction techniques.This research not only deepens the understanding of Tibetan Buddhist architectural culture in Northern Mongolia,but also provides references and insights for the study of such religious architecture in other areas.
作者
杜娟
曲俊生
张鹏举
DU Juan;QU Junsheng;ZHANG Pengju
出处
《新建筑》
2025年第6期11-17,共7页
New Architecture
基金
国家自然科学基金青年科学基金项目(52208020)
内蒙古自治区一流学科专项项目(YLXKZX-NGD-004)
内蒙古自然科学基金面上项目(2021MS05057)
内蒙古工业大学教改项目(2023220)。
关键词
漠北蒙古
藏传佛教
寺庙建筑
建筑技艺
新范式
Northern Mongolia
Tibetan Buddhism
temple architecture
architectural techniques
new paradigm
