摘要
许地山的《春桃》作为中国现代文学转型期的典范文本,通过独具匠心的叙事建构起超越时代的女性主体意识。运用原型理论聚焦春桃形象蕴含的大地母神原型、阿尼姆斯与智者原型的复合结构,能够揭示其突破传统性别秩序的人格张力。该形象通过重构传统原型的内在维度,在宗教救赎与世俗生活的辩证中开创了现代文学“新女性”形象建构的第三条路径,多重复调的人格书写为解读中国现代化进程中性别主体意识的生成机制提供了新的理论视角。
Xu Dishan’s Spring Peach,a pivotal text in modern Chinese literature’s transition,constructs a timeless female subject consciousness through its unique narrative.The use of prototype theory to focus on the complex structure of the Earth Mother God prototype,the Animus and the Wise Man prototype contained in the image of Spring Peach can reveal its personality tension that breaks through the traditional gender order.By reinterpreting traditional prototypes,this image creates a third path for the“New Woman”in modern literature,blending religious redemption with secular life.This multi-layered personality portrayal offers a new perspective on gender subjectivity in China’s modernization.
作者
余亚婷
Yu Yating(School of Humanities,Hunan University of Science and Technology,Xiangtan,411201,China)
出处
《语言与文化研究》
2026年第1期216-218,共3页
Language and Culture Research
关键词
原型批评
许地山
《春桃》
女性意识
Prototype criticism
Xu Dishan
Spring Peach
Female consciousness
