摘要
20世纪中后期以来,黄梅戏在坚守自身艺术特征的同时开始积极吸收其他剧种的艺术元素,以期实现突破与创新。音乐剧是西方现代戏剧的一种重要形式,其独特的艺术表现手法和创新的音乐理念为黄梅戏改革提供了有益的借鉴。声腔程式化程度不高的黄梅戏吸收转化了若干音乐剧艺术元素,打造出一批“黄梅戏音乐剧”。不过,黄梅戏在吸收转化音乐剧艺术元素的过程中也需警惕因过度吸收而弱化自身剧种特色的风险。
Since the mid-to-late 20th century,Huangmei Opera has upheld its artistic traditions while actively integrating elements from other theatrical forms to achieve breakthroughs and innovation.As a prominent genre of modern Western drama,musical theatre offers distinctive artistic techniques and innovative musical concepts that serve as valuable references for Huangmei Opera′s reform.Given its relatively low degree of formalized vocal patterns,Huangmei Opera has adapted several elements of musical theatre,giving rise to a new hybrid genre:"Huangmei Opera Musicals".However,this process of absorption and transformation carries risks.Over-assimilation of musical theatre elements may dilute Huangmei Opera′s unique characteristics,undermining the distinctive identity of the genre.
出处
《四川戏剧》
北大核心
2025年第9期64-67,共4页
Sichuan Drama
基金
2022年度湖北省人文社科重点研究基地黄梅戏艺术研究中心资助项目“大型黄梅戏音乐剧《霜天红烛》的创作研究”(项目编号:202208504)的结项成果。
关键词
黄梅戏
音乐剧
戏曲改革
“黄梅戏音乐剧”
Huangmei Opera
Musical Theatre
Chinese Traditional Opera Reformation
"Huangmei Opera Musical"
