摘要
20世纪三四十年代,欧阳予倩有十数部书写抗战的剧作问世,地域特征非常鲜明,其中,以东北、上海、西南三地最为突出。基于三地文化特征,剧作家借戏剧创作从烈士精神、抗战精神、家国情怀三个方面对民族精神进行深化与重塑,以抗战时间线为横轴,以三地坐标为纵轴,构成一幅完整的抗战图谱。同时,剧作家还依托中国传统戏剧创作,积极推动话剧的中国化、本土化。
In the 1930s and 1940s,Ouyang Yuqian produced over a dozen plays depicting the war,which bear distinct regional characteristics,particularly those of the Northeast,Shanghai,and the Southwest.Rooted in the cultural traits of these regions,Ouyang′s works deepened and reshaped the national spirit through three key dimensions:the spirit of martyrdom,the spirit of resistance against Japanese aggression,and a profound sense of patriotism.By positioning the timeline of the War of Resistance as the horizontal axis and the geographical coordinates of the three regions as the vertical axis,these plays collectively present a panorama of the war.Additionally,drawing on the traditions of Chinese classical drama,Ouyang actively contributed to the sinicization and localization of modern spoken drama.
出处
《四川戏剧》
北大核心
2025年第9期30-34,共5页
Sichuan Drama
基金
2023年度国家社科基金一般项目“南社新戏与早期中国话剧研究”(项目编号:23BZW140)的研究成果。
关键词
欧阳予倩
抗战书写
戏剧创作
民族精神
Ouyang Yuqian
Writing the War of Resistance
Drama Creation
National Spirit
