摘要
新世纪以来,戏曲创作领域的三个重要维度为正视传统、指向现代、突破固有舞台。理论是与实践相表里的,与创作共振的戏曲理论和批评界在近25年内对戏曲传统价值的重新确认,以及对戏曲现代意识的构建,成为戏曲理论和批评的两个轴心。对新世纪以来几个戏曲理论问题的回顾,其实是对当代中国戏曲批评话语焦点的找寻,而非遗语境下对传统价值的再确认,对历史剧观的重新思考,以及对小剧场戏曲、沉浸式戏曲的观念与方向的辨析,正是对戏曲价值判断体系和实践体系的某些问题的再反思。
Since the turn of the new century,three pivotal trends have emerged in the field of Chinese opera composition:engaging with tradition,adapting to modernity,and transcending traditional stage boundaries.Theory,closely intertwined with practice,has evolved in response to creative innovations.Over the past 25 years,Chinese opera theory and criticism have revolved around two central axes:the reaffirmation of traditional values and the construction of a modern consciousness.A critical review of key theoretical issues in Chinese opera since the new century represents an investigation into the central concerns of contemporary Chinese opera discourse.This involves not only a reaffirmation of traditional values within the framework of preserving intangible cultural heritage but also a reevaluation of historical opera,as well as an exploration of the conceptual foundations and future directions of small-theater opera and immersive opera.These discussions collectively contribute to a deeper reexamination of fundamental issues within the value systems and practical approaches of Chinese opera.
出处
《四川戏剧》
北大核心
2025年第9期6-12,共7页
Sichuan Drama
关键词
戏曲理论
传统价值
历史剧观
小剧场戏曲
新世纪戏曲
Theatrical Theory
Traditional Values
Reevaluation of Historical Opera
Small-Theater Opera
Chinese Opera in the New Century
