摘要
乔叶的长篇小说《宝水》以第十一届茅盾文学奖获奖作品的身份成为新时代乡土文学的重要文本。作为70后女性作家代表,乔叶以独特的叙事视角切入乡村振兴主题,通过女记者地青萍的返乡经历,勾勒出豫北山村宝水村在现代化浪潮中的文化嬗变与个体身份重构。从现代性视阈下的文化变迁、主体性的多维重构两方面展开分析,以揭示文本如何用文学镜像呼应时代命题,为乡土叙事注入新活力,对身处乡村变革过程中的村民形象及自我主体性确立的过程也给予了独特的关怀。
As the winner of the 11th Mao Dun Literature Prize,Qiao Ye's novel Baoshui has become a significant text of rural literature in the new era.Qiao Ye,a representative female writer of the post-1970s generation,adopts a unique narrative perspective in her exploration of rural revitalization.Through the experience of the female journalist Di Qingping returning to her hometown,the novel depicts the cultural evolution and the reconstruction of individual identities in Baoshui,a mountain village in northern Henan,amid the wave of modernization.This paper analyzes the cultural changes from the perspective of modernity and the multidimensional reconstruction of subjectivity,illustrating how the text serves as a literary reflection of contemporary issues and injects new vitality into rural narratives.It also demonstrates a distinctive concern for the portrayal of people undergoing rural transformation and their process of establishing self-identity.
作者
杨小雨
YANG Xiaoyu(School of Literature,Minnan Normal University,Zhangzhou,Fujian 363000,China)
出处
《开封文化艺术职业学院学报》
2025年第6期60-65,共6页
Journal of Kaifeng Vocational College of Culture & Art
关键词
《宝水》
现代性书写
文化变迁
身份重构
Baoshui
modernity
cultural transformation
identity reconstruction
