摘要
传统书画馆作为东方艺术精神的核心载体,其色彩展示绝非单纯的视觉搭配,而是深度介入公众审美感知的文化媒介。研究以美术学与设计心理学的跨学科理论视角为依托,聚焦小型传统书画馆场景,解析色彩语言与书画艺术内在精神的契合路径,进而阐释这类色彩配置对观者审美体验的深层引导机制。通过探索传统色彩美学符号的当代转译与实践路径,为书画馆展示设计构建兼具科学性与艺术性的指导范式,助力公众审美认知深度的提升与文化认同感的强化,最终彰显艺术空间在人类文化演进进程中承载的社会功能。
As core carriers of Eastern artistic spirit,traditional calligraphy and painting museums present colors not merely as visual arrangements,but as cultural mediums deeply engaging with public aesthetic perception.This study adopts an interdisciplinary theoretical perspective from art studies and design psychology,focusing on the context of small traditional calligraphy and painting museums.It analyzes the alignment between color language and the intrinsic spirit of calligraphy and painting art,thereby elucidating the profound guiding mechanisms of such color configurations on viewers'aesthetic experiences.By exploring contemporary translations and practical approaches for traditional color aesthetic symbols,the research establishes a scientific-artistic design paradigm for museum exhibitions.This contributes to enhancing public aesthetic cognition and strengthening cultural identity,ultimately highlighting the social functions of art spaces in human cultural evolution.
作者
俞峙彤
刘丹
Yu Shitong;Liu Dan(China Academy of Art)
出处
《色彩》
2025年第10期39-41,共3页
Color
关键词
传统书画馆
色彩展示
公众审美
东方意境
色彩心理
Traditional Painting and Calligraphy Gallery
Color Display
Public Aesthetics
Oriental Artistic Conception
Color Psychology
