摘要
新中国成立后,在党和政府的高度重视及文艺工作者的共同努力下,黄梅戏艺术实现了历史性振兴与创新性发展。通过系统梳理新中国成立以来黄梅戏研究学术史,依据研究范式转型、方法论演进及成果形态特征划分为三个递进阶段:萌发期(1949~1980)、兴盛期(1981~2000)和拓展期(2001至今)。研究视域主要聚焦于剧种史论考辨、经典剧目解析、音乐形态研究、跨文化传播以及表演艺术家个案研究五大维度,形成了兼具历史纵深与现实观照的多维度学术探索体系。
Since the founding of the People’s Republic of China,Huangmei Opera has achieved historic revitalization and innovative development,supported by the priority attention of the Party and the government and the collective efforts of artists and cultural workers.Through a systematic review of the academic research history on Huangmei Opera since 1949,three progressive phases are delineated based on paradigm shifts,methodological evolution,and the characteristics of research output:the Germination Period(1949-1980),the Prosperity Period(1981-2000),and the Expansion Period(2001-present).Academic inquiries have primarily focused on five dimensions:historical and theoretical examination of the genre,analysis of classic repertoires,studies of musical morphology,cross-cultural communication,and case studies of performing artists,collectively forming a multidimensional academic exploration system that integrates historical depth with contemporary relevance.
作者
潘捷
Pan Jie(Anhui University of Arts,School of Music,Hefei,Anhui 230011)
出处
《河西学院学报》
2025年第6期88-96,共9页
Journal of Hexi University
基金
2020年度安徽省哲学社会科学规划青年项目“黄梅戏学术史研究”(AHSKQ2020D137)。
关键词
黄梅戏研究
学术史
回顾
反思
Huangmei Opera
academic history
review
reflection
