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论美第奇家族与文艺复兴的相互成就——意大利民族文化的初步诞生

Analysis for the Mutual Achievements of the Medici Family and the Renaissance——The Initial Birth of Italian National Culture
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摘要 十四世纪至十七世纪的文艺复兴是近代思想解放、文化百家争鸣的黄金阶段,这一阶段统治文艺复兴发源地和核心地区的是佛罗伦萨,即美第奇家族。美第奇家族在一定程度上推进了人文主义的发展,而他们对人文主义者的资助也使美第奇家族的地位得到提高。在其治下,意大利民族形成了一定的民族凝聚力和文化认同感。本文将基于美第奇家族与文艺复兴相互成就关系展开论述,全文将分为三个部分,首先介绍美第奇家族在文艺复兴期间承担“庇护人”身份对文艺复兴的贡献,其次讨论美第奇家族承担文化保护者的身份后对其自身的帮助,分析文艺复兴对美第奇家族兴盛的帮助,最后论述美第奇家族与意大利文艺复兴的相互成就对意大利民族文化的贡献。 The Renaissance,spanning from the 14th to the 17th century,represents a golden era of intellectual liberation and cultural diversity.At this stage,it was the Medici family that ruled the birthplace and core region of the Renaissance,that is,Florence.The Medici family,to some extent,propelled the development of humanism,and their patronage of humanists also elevated their own status.Under their rule,the Italian nation formed a certain sense of national cohesion and cultural identity.This article will discuss the mutually beneficial relationship between the Medici family and the Renaissance.The full text will be divided into three parts:First,introduce the contributions of the Medici family as"patrons"during the Renaissance to the Renaissance itself.Subsequently,discuss the benefits for the Medici family after assuming the role of cultural protectors in order to analyse how the Renaissance contributed to the prosperity of the Medici family.Finally,explore the mutual reinforcement between the Medici family and the Italian Renaissance and its impact on Italian national culture.
作者 房彤 FANG Tong(School of Humanities,Shanghai Normal University,Shanghai 200234,China)
出处 《亚太人文与艺术》 2025年第5期93-96,共4页
关键词 文艺复兴运动 美第奇家族 佛罗伦萨 人文主义者 艺术赞助 the Renaissance Medici family Florence humanist art support
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  • 1Peter Burke, The Italian Renaissance: Culture and Society in Italy, Cambridge: Polity Press, 1999.
  • 2Richard Goldthwaite, Wealth and the Demand for Art in Italy 1300 - 1600, Baltimore: The Johns Hopkins University Press, 1993, p.
  • 3Dale Kent, Cosimo de' Medici and the Florentine Renais- sance, New Haven: Yale University Press, 2000.
  • 4贡布里希.作为艺术赞助人的早期梅迪奇家族[A]//李本正,范景中编选,文艺复兴:西方艺术的伟大时代[M].杭州:中国美术学院出版社,2000:151.
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  • 6Michelle O' Malley, The Business of Art: Contracts and the Commissioning Process in Renaissance Italy, NewHaven: Yale University Press, 2005.
  • 7Bram Kempers, Painting, Power and Patronage: The Rise of the Professional Artist in Renaissance Italy, The Penguin Books, 1987.
  • 8瓦萨里.意大利艺苑名人传·巨人的时代(上)[M].刘耀春等译,湖北美术出版社,2003:10.
  • 9Sarah Blake McHam, Donatello's Bronze " David" and "Judith" as Metaphors of Medici Rule in Florence,The Art Bulletin, Vol. 83, No. 1. (Mar.,2001), p. 36.
  • 10Bruce Cole, Italian Art 1250- 1500: The Relation of Renaissance Art to Life and Society, New York: Harper & Row Puliahera, 1987, p. 167.

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