摘要
在万物循环观、儒家“中和”思想、受众期待视野、王权之力加持、心理补偿机制等因素的制衡下,大团圆成了中国传统文学的主导性叙事模式。在新民救国及学习西方的双重背景下,悲剧成了五四新文学之宠儿;在抗日战争、解放战争的时代洪流中,赵树理小说创作的成功使得大团圆再次成为文坛主流。与传统文学中的大团圆相比,赵树理小说中的大团圆展现出当下性、必然性、现世性等诸多质的变化。赵树理小说的先锋性引领了创作的新风尚,使中国文学实现了“团圆—悲剧—团圆”的一次螺旋式回环。
Under the interplay of factors such as cyclical cosmologies,the Confucian principle of“Harmony and Moderation”,audience expectations,the reinforcement of imperial authority,and psychological compensation mechanism,the happy ending became the dominant narrative paradigm in traditional Chinese literature.Against the dual backdrop of national salvation through cultural enlightenment and the adoption of Western literary influences,tragedy emerged as a favored genre in the May Fourth New Literature.During the tumultuous currents of the War of Resistance against Japanese Aggression and the Liberation War,the success of Zhao Shuli’s fiction reestablished the happy ending as a mainstream literary trend.Compared with its traditional counterparts,the happy ending in Zhao Shuli’s works exhibits qualitative transformations characterized by contemporaneity,inevitability,and secular pragmatism.This avant-garde narrative approach of Zhao Shuli’s fiction pioneered new creative trends,propelling Chinese literature into a spiral loop of“happy ending—tragedy—back to happy ending”.
作者
陈俊
CHEN Jun(School of Humanities,Lishui University,Lishui 323000,Zhejiang)
出处
《丽水学院学报》
2025年第6期62-69,共8页
Journal of Lishui University
关键词
文学演进
赵树理小说
大团圆
literary evolution
Zhao Shuli’s fiction
happy ending
