摘要
对路遥小说的文本细读和理论分析,其笔下的陕北民歌(信天游、链子嘴、酒曲)既是陕北地域文化的文学存证,也是民众情感表达与生存境遇的真实映照,更表现了时代变迁中路遥对民间文艺的困境与忧思。从地域环境与民歌、民歌类型的功能阐释、民歌中的现实情怀三个维度论证陕北民歌与自然条件、多民族历史及民众生活之间的深层互动关系,体现路遥小说对苦难的表达以及作为“乡村之子”的底层关怀精神。
A close reading and theoretical analysis of Lu Yao’s novels reveal that the folk songs of northern Shaanxi(Xintianyou,Lianzizui,and Jiuqu)in his works are not only literary evidence of the local culture of northern Shaanxi,but also a true reflection of the emotions and living conditions of the people.They also demonstrate Lu Yao’s concern and anxiety about the predicament of folk art in the context of social change.This paper argues from three dimensions:the relationship between the regional environment and folk songs,the functional interpretation of folk song types,and the realistic sentiments in folk songs,to illustrate the deep interaction between northern Shaanxi folk songs and the natural conditions,multi-ethnic history,and people’s lives.It reflects Lu Yao’s expression of suffering and his spirit of caring for the underprivileged as a“son of the countryside”in his novels.
作者
高科
GAO Ke(Xi’an International Studies University,Xi’an 710128,China)
出处
《扬州教育学院学报》
2025年第4期43-48,共6页
Journal of Yangzhou College of Education
基金
教育部人文社会科学青年项目(20XJC751006)
陕西省社会科学基金项目(2020H016)。
关键词
路遥
陕北民歌
地域文化
现实精神
苦难叙事
Lu Yao
northern Shaanxi folk songs
regional culture
the spirit of reality
the theory of suffering
